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An audiophile (from Latin: audīre, lit. 'to hear' + Greek: φίλος, romanized: philos, lit. 'loving') is a person who is enthusiastic about high-fidelity sound reproduction. [1] An audiophile seeks to reproduce recorded music to achieve high sound quality, typically in a quiet listening space and in a room with good acoustics. [2] [3]
Remembering Lee Wiley (Audiophile, 1978) Do It Again (Audiophile, 1983) Hoagy's Children with Bob Dorough, Dick Sudhalter (Audiophile, 1983) You're the Cats! with the Lawson-Haggart Band (Audiophile, 1989) Getting Some Fun Out of Life with Mr. Tram Associates with Daryl Sherman, Dick Sudhalter, Loren Schoenberg (Audiophile, 1989)
Marlene VerPlanck. Marlene Paula VerPlanck (née Pampinella; November 11, 1933 – January 14, 2018) [1] [2] [3] was an American jazz and pop vocalist whose body of work centered on big band jazz, the American songbook, and cabaret. [3]
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Nationality. American. Alma mater. Cornell University [1] Period. 1970s–present. Michael Alan Fremer (born 1947) [2] is an American music journalist, YouTuber, and voice actor from New York City, known for writing about audiophile equipment and vinyl. [3] He is the editor of The Tracking Angle and Senior Editor at The Absolute Sound.
Children. 1. Website. www .jessicavalenti .com. Jessica Valenti ( / vəˈlɛnti /; born November 1, 1978 [ 1]) is an American feminist writer. [ 2] She was the co-founder of the blog Feministing, which she wrote for from 2004 to 2011.
Hi-fi speakers are a key component of quality audio reproduction. High fidelity (often shortened to Hi-Fi or HiFi) is the high-quality reproduction of sound. [ 1] It is popular with audiophiles and home audio enthusiasts. Ideally, high-fidelity equipment has inaudible noise and distortion, and a flat (neutral, uncolored) frequency response ...
Lori Lieberman (born November 15, 1951) is an American singer-songwriter who accompanies herself on guitar and piano. [1] She co-wrote and recorded the first version of "Killing Me Softly with His Song", which became a hit single for Roberta Flack in 1973, and again in 1996 with a new arrangement by the Fugees.