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The Nazca used this technique to "draw" several hundred simple, but huge, curvilinear animal and human figures. In total, the earthwork project is huge and complex: the area encompassing the lines is nearly 450 km 2 (170 sq mi), and the largest figures can span nearly 370 m (1,200 ft). [6]
Animal-made art. Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays, while others are created with human involvement.
A kolam or muggu is a geometrical line drawing composed of straight lines, curves and loops, drawn around a grid pattern of dots. It is widely practised by female family members in front of their house entrance, although men and boys also practice this tradition. [1]
Drawings of humans were rare and are usually schematic as opposed to the more detailed and naturalistic images of animal subjects. Kieran D. O'Hara, geologist, suggests in his book Cave Art and Climate Change that climate controlled the themes depicted. [29] Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal.
Shoulder-clasps from Sutton Hoo, early 7th century 11th century walrus ivory cross reliquary (Victoria & Albert Museum). Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose ...
Biological illustration. Illustration from the book Histoire naturelle by Louis Renard, published in Amsterdam in 1754. Biological illustration is the use of technical illustration to visually communicate the structure and specific details of biological subjects of study. This can be used to demonstrate anatomy, explain biological functions or ...
Owner. GK Goh Holdings. The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839).
the use of art, visualization, and metaphorical imagery in children’s coun-seling (Allan, 1988). As art within child therapy strengthened, the use of drawings became popular to study the intelligence level and psychological state of the child. Projective drawing tests emerged to study the perceptions, attitudes, and personality
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