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The following list details the 100 Pokémon of generation II in order of their National Pokédex number. The first Pokémon, Chikorita, is number 152 and the last, Celebi, is number 251. Alternate forms that result in type changes are included for convenience. Mega evolutions and regional forms are included on the pages for the generation in ...
The Snapdragon 415 and the older Snapdragon 425 (later cancelled) were announced on February 18, 2015. [37] Snapdragon 425, 427, 430 and 435 are pin and software compatible; software compatible with Snapdragon 429, 439, 450, 625, 626 and 632. The Snapdragon 430 was announced on September 15, 2015.
Mao (or Mau [2]) is a card game of the shedding family. The aim is to get rid of all of the cards in hand without breaking certain unspoken rules which tend to vary by venue. The game is from a subset of the Stops family and is similar in structure to the card game Uno or Crazy Eights. [3]
Yakuza 0 takes place in late-1988 to early-1989, some seventeen years before the first game in the series. It acts as a prequel to the whole series, telling the backstories of series protagonist ...
The display and hardware in this new "Gen 2" system attempts to manage a variety of functions at once. ... a "change log" in software speak – in order to determine if they should take their time ...
Pokémon is a series of video games developed by Game Freak and published by Nintendo and The Pokémon Company under the Pokémon media franchise. It was created by Satoshi Tajiri with assistance from Ken Sugimori, the first games, Pocket Monsters Red and Green, were released in 1996 in Japan for the Game Boy, later released outside of Japan as Pokémon Red Version and Blue Version.
SPOILER ALERT: This article contains spoilers for the Season 1 finale of “Gen V, titled “Guardians of Godolkin,” now streaming on Amazon’s Prime Video. As a member of the “Gen V” cast ...
Change Your Shoes, Change Your Life On Object Play and Transformation INA7OMAN S3TORY s Kay Young This article asks why adults play dress-up and investigates the role of object play in the making of magical thinking and the reforming of adult identity. The author looks at a wide spectrum of narratives and their genres—the fairy tale ...