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Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press 1999. ISBN 0-231-11094-4. Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. Madison: University of Wisconsin Press 1997 ISBN 0-520-20790-4. Jeff, Leonard L, & Simmons, Jerold L.
Pre-Code Hollywood. In this 1931 publicity photo, Dorothy Mackaill plays a secretary-turned-prostitute in Safe in Hell, a pre-Code Warner Bros. film. Pre-Code films such as The Public Enemy (1931) were able to feature criminal, anti-hero protagonists. Pre-Code Hollywood was an era in the American film industry that occurred between the ...
Pre-Code sex films explored women's issues and challenged the concept of marriage, and aggressive sexuality was the norm. The sexual subject matter of the uncensored period was found within many movie genres, most especially in dramas, crime films, exotic-adventure films, comedies and musicals.
Hays Code. The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors ...
Baby Face. (film) Baby Face is a 1933 American pre-Code -enforcement drama film directed by Alfred E. Green for Warner Bros., starring Barbara Stanwyck as Lily Powers, and featuring George Brent. Based on a story by Darryl F. Zanuck (under the pseudonym Mark Canfield), Baby Face portrays an attractive young woman who uses sex to advance her ...
Pre-Code crime films. Paul Muni (as Tony Camonte) taunting and laughing at police officers he has just shot at in the trailer for Scarface (1932). The Hays office wanted this ending of the gangster film replaced with one where Muni's character is tried and executed. The era of American film production from the early sound era to the enforcement ...
Our Blushing Brides is a 1930 American pre-Code society comedy / romantic melodrama directed and produced by Harry Beaumont and starring Joan Crawford, Robert Montgomery, Anita Page and Dorothy Sebastian . The film follows Our Dancing Daughters (1928) and Our Modern Maidens (1929), which also starred Crawford, Page and Sebastian, though they ...
Trailer for the 1944 re-release. The Sign of the Cross is a 1932 American pre-Code epic film produced and directed by Cecil B. DeMille and released by Paramount Pictures.Based on the original 1895 play by English playwright Wilson Barrett, [2] the screenplay was written by Waldemar Young and Sidney Buchman.
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