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Katherine Dunham. Katherine Mary Dunham (June 22, 1909 – May 21, 2006) [1] was an American dancer, choreographer, anthropologist, and social activist. Dunham had one of the most successful dance careers of the 20th century and directed her own dance company for many years. She has been called the "matriarch and queen mother of black dance."
Classes in Dunham Technique are still taught in New York City at both the 92nd Street YMHA and at the Fashion Institute of Technology, by former company member Dana McBroom-Manno. McBroom-Manno was a featured dancer in the Metropolitan Opera 's production of Aida , choreographed by Katherine Dunham, the first African-American choreographer at ...
In 1948, Moore moved to New York City after receiving the Charles Weidman dance scholarship. It was there where he began studying ballet, modern and African dance from Charles Weidman, Asadata Dafora, Pearl Primus, and Katherine Dunham. Moore also studied with Nigerian dancers M. Olatunji and S. Ilori, as well as Ghanaian dancers Kobla Ladzekpo ...
Katherine Dunham. The “matriarch” of Black dance, Katherine Dunham, was a dancer and choreographer and the first to open a Black dance company in the 1930s that performed all over the world ...
With Katherine Dunham being in that company, being surrounded by that kind of Blackness, knowledge of dance, anthropology, history, learning how to move in my body from the African diaspora, from ...
The performance was directed by Katherine Dunham, former head of a noted African-American dance company in her own name, and conducted by Robert Shaw. (He was one of the first major American conductors to hire both black and white singers for his chorale). The production was well received by both audiences and critics. [2]
The last Black woman to direct and choreograph was Katherine Dunham, who served in both roles for her dance company in a three-act dance on Broadway in 1955.. Brown has choreographed for major ...
She became a popular teacher at the New Dance Group, where in 1942 Pearl Primus was a student. Primus, like Katherine Dunham, studied West Indian dance from McBurnie and joined the group, which appeared at various venues in New York. [5] In 1941 McBurnie assumed a pseudonym name "La Belle Rosette" and performed professionally under that stage name.